The Rosebud Beach Hotel
(1984)
Director: Harry Hurwitz
Cast: Coleen Camp, Peter Scolari, Christopher Lee
Several
times, in previous reviews I have written for this web site, I have
stated that I would like to take a vacation. And at the same times, I
have stated that I would have long ago taken a vacation if it weren't
for my required duties at my place of employment, as well as the duties
I have with maintaining this web site. One day, perhaps. Until then, I
will spend my time imagining what I would do if I were to go on a
vacation. There are so many fun things you can do on a vacation. I know
that for sure, because I look on the vacations I took with my family
when I was very young with great fondness. Obviously, one of the treats
of a vacation is to be in a new and completely different place from
where you live. And doing new and fun things in that new location can
certainly be very entertaining. Also, when people are on vacation, more
often than not they don't cook for themselves and instead go to
restaurants. I find it very pleasurable to eat various new dishes and
not have to slave over a hot stove and wash dishes afterwards. There is
another vacation thrill that I remember being a lot of fun whenever I
took a vacation, and that was staying at a motel or a hotel. There were
so many things about the accomodation process that I found could not be
beat. The beds were usually a lot more comfortable than the bed back at
home. And you would get fresh clean sheets to sleep between each and
every night. Another perk was when you had to use the bathroom; you
could use as much hot water that you'd like, and you didn't have to
worry about keeping the bathroom clean, since a maid the next morning
would do all the cleaning for you.
With all my pleasurable experiences staying at hotels
and motels during my life, you might think that the idea of working at
such establishments would have a lot of appeal. I certainly thought so
for a long time. Several years ago, when I was out of work and seeking
employment, I applied for a couple of hotel jobs. I can remember the
interview process at these hotels being tough and having to think
quickly on my feet. One question I was asked was, "What would you do if
an angry customer came to the front desk complaining that his
television wasn't working?" Well, I like to think that I came up with
pretty good answers to that and the other questions, but ultimately I
wasn't hired, to my great resentment. Though to my pleasure and relief
several years later, I saw both of those hotels declare bankruptcy and
shut their doors. I say "relief", because over the years that followed,
it slowly dawned on me that working at a hotel or a motel can be pretty
tough employment. The problems that can come up during the job seem
endless, most of them having to do with the customers who stay there.
You might have the unpleasant task of quieting down loud and boisterous
guests who are disturbing the other guests, and might also damage their
hotel room. You have to risk towels and other hotel property being
stolen by the guests. You have to be alert for customers who might have
one or more of thousands of potential complaints, and have to deal and
solve their problems right on the spot. And you have to make sure that
you and your fellow employees are on the ball and constantly
maintaining the entire enterprise at a high level.
There's no doubt about it - to me at least, working at a
hotel or a motel would not be a very good job to have. If I were ever
to be out of work again, I would not apply for work at such
establishments unless I had exhausted every other employment
possibility. However, though I don't find employment at a hotel or
motel to be desirable, that doesn't mean that I find the idea of a
fictional look at work at such places a turn off. In fact, I find the
idea of a story set around a hotel or motel full of possibilities. With
problems like those that I detailed in the previous paragraph, a writer
has a deep well of ideas to scoop up. And not just in a serious vein -
a comedy writer could come up with many comic ideas set at a hotel or a
motel. That's why I felt The Rosebud Beach Hotel
had a lot of potential when I found a copy of it. In the opening of the
movie, we are introduced to two young people, Elliot (Scolari, Bosom Buddies) and Tracy (Camp, Wayne's World).
They are a couple in love, which does not sit well with Tracy's
millionaire father Clifford King (Lee, The Lord Of The Rings),
because he thinks that Elliot simply doesn't have the right stuff that
would make him a suitable man for Tracy. So Clifford hatches a scheme.
He offers Elliot the job of running a Florida hotel he owns, the hotel
mentioned in the movie's title. Elliot accepts the job, which secretly
delights Clifford. That's because The Rosebud Beach Hotel is an
establishment on its last legs, and Clifford feels that when Elliot
fails to maintain it, the failure will make Elliot look less desirable
to Tracy. What Clifford does not know is that Tracy accompanies Elliot
to the hotel, and when the hotel's former manager Harold Forfman (Chuck
McCann, Hamburger:
The Motion Picture)
gives the lovebirds a tour of the place, they quickly see what they are
up against - inept desk clerks and maids, a wacko maintenance man, and
weird hotel residents that include a spaced-out nerd (Eddie Deezen, Grease), a
muscleman, and a hooker (Fran Drescher, The Nanny).
Despite being faced with all these inept eccentrics, Elliot and Tracy
get to work to improving the hotel and the lives of its residents.
Surprisingly, they start to make some progress, but it may not matter,
since Clifford meanwhile has hired a guy by the name of "Matches"
Monohan to burn down the hotel in order to collect the insurance.
If you are thinking that a lot of The Rosebud Beach Hotel's
plot setup sounds extremely familiar, you are correct, even if like me
you can't immediately recall exactly what movies and television shows
you've seen this stuff before. A lot of what happens in this movie
won't come as a surprise, but there is something about this rehash that
will be surprising to most viewers, and that's how lazy the movie often
is when it comes to illustrating the details. Take the opening of the
movie for instance. You would probably expect the movie to first
clearly illustrate how the character of Elliot is a classic
ne'er-do-well kind of guy that doesn't please his prospective future
father in law, and at the same time showing how he has all the same
managed to charm the lady in his life to loving him. But that's now
what happens. Instead, at the beginning of the movie we see the
lovebirds meet, very briefly discuss the offer that Tracy's father has
given Elliot, Elliot subsequently telling Clifford over the phone in
just a few words that
he will take the job, and then the lovebirds are suddenly in Florida -
all of which happens before the first five minutes of the movie have
passed. When they get to the hotel, Elliot calls the place a "dump"
before he has fully inspected the establishment. Later on, after
several days have passed, Tracy makes a comment to Elliot that so far
he has "handled everything with authority" - but we never actually got
to see Elliot do anything that would be considered a change in
management or commanding the employees of the hotel to do their jobs
differently. As you can see from these examples, the movie quite often
simply doesn't show us many of the necessary details that we expect of
a story of this nature. It's as if the three credited screenwriters
thought, "Well, the audience has more or less seen this same story
before, so we don't have to include everything - they can fill in the
missing spaces themselves from what they've seen before."
The apparent laziness of the screenwriters certainly
makes some noticeable gaps in the story, but most of all with the
characters of the movie. We don't get to see the character of Elliot
transform from an inept sort of fellow to someone who finally manages
to prove himself. In fact, it's the character of Tracy who seems to do
all the work in improving the hotel. The question comes up early on as
to why the movie thinks we should be watching Elliot instead of Tracy.
This weakly written character may explain why Scolari gives a pretty
unimpressive performance - he simply doesn't have much to work with.
Camp, on the other hand, does show some spark when her character is
pushed by certain circumstances, though for the most part her character
isn't that much more dimensional than Scolari's. It doesn't take long
for the audience to look for fleshed-out characters with the supporting
cast instead of the leads, though there isn't a terrible lot there.
Eddie Deezen is somewhat amusing doing his trademark geeky character
he's done in countless other movies, though he only has a few brief
scenes. A pre-fame Fran Drescher is actually quite good as a hooker
with charm and a sense of humor, and her scenes are the best ones in
the movie. No doubt you are wondering about Christopher Lee, especially
since he didn't appear in a great deal of comedies during his career.
But Lee is totally wasted. In the first hour of the movie, his
appearances can't add up to more than a minute of the running time.
Even when you add in his subsequent appearances in the movie's last
half hour, it's pretty clear that all of his scenes were knocked off in
two or three days of shooting at the most.
In
case you are wondering, Lee does try, in the first
scene at least, to generate some laughs. But the attempt at humor falls
flat, and the remainder of the movie doesn't get that much better when
it comes to comedy, even when you add the contributions of Deezen and
Drescher. While I was watching the movie, I kept thinking the words,
"wasted potential". There could have been a number of funny ways that
the characters of Elliot and Tracy could have drummed up business for
the hotel. But as it turns out, we only see one
of the things they do to increase business, and that is to hire hookers
to act as bellhops. Now, seeing these ladies of the night in action in
new roles could have been funny, but surprisingly it mostly treated in
a matter-of-fact manner, almost seriously. In fact, a lot of the movie
plays in a manner where a feeling of seriousness is just about bubbling
to the surface. So even when the movie makes a feeble attempt at humor
- introducing an eccentric character, focusing on the subplot on
"Matches" Monohan's attempts to destroy the hotel, etc. - it never
really feels all that much fun. It also doesn't help that the movie
often has a really low rent feeling around it. Director Harry Hurwitz (Fairy
Tales)
actually did manage to shoot much of the movie at an actual hotel,
which helps a little, though the cheap-looking hotel guest rooms are
painfully and obviously shot on soundstages. Hurwitz seems to know that
the screenplay was mighty thin, since on several occasions he stops the
thin story in order to pad things out with such stuff as rock-n-roll
chambermaids singing rock numbers, or scenes of the female members of
the cast taking their clothes off. But as much as you may enjoy the
sight of gorgeous women in the nude, the surrounding material is so
lazy, so unenthusiastic, that even the scenes of T & A won't perk
up your interest to a significant degree. An overnight stay at a Motel
6 has more interest and laughs than the entire eighty-two minutes of The Rosebud Beach Hotel.
(Posted August 8, 2015)
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See also: Hot Chili, Hot Resort, Zoo Radio
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