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The Angry Red Planet
(1960)
Director: Ib Melchior
Cast: Gerald Mohr, Nora Hayden, Les Tremayne
Though I
consider myself young and filled to the brim with urine and vinegar (I
may watch a lot of crude movies, but I consider my personal self too
high class and well built to be filled with the four-lettered "p"
word), that doesn't mean that I have not begun to prepare for my future
decades. In fact, I have already begun a "bucket list", a list of
things that I would like to do before I pass away from the world. Maybe
the list isn't exactly physically written down, but it's tucked away in
the back of my head, a constant reminder when I go about my various
routines in life. Though it may be quite early in my life, there are
already quite a number of things I've placed on my list. Some of these
things I have mentioned already in other movie reviews. For example,
being a fan of westerns, I would really like to visit the deserts of
the American southwest, and the town of Tombstone in Arizona. Another
dream I have is to go to Disneyland, though to be honest the constant
reports of having to wait several hours in line to go on one lousy ride
is pushing this dream to the bottom of my list. But the biggest dream
that I have on my list is to travel into space. As of this date, space
tourism is just getting started. True, right now you need to pay
millions of dollars for the privilege, but if high-definition
televisions came come down to a reasonable price over the years, so can
space travel. Maybe I'll be a senior citizen when it happens, but once
it does, you can bet that I'll be booking a flight on one of those
planned special jet aircraft that will be able to zoom way above the
atmosphere and get high enough so that passengers will be able, for a
short time at least, to experience zero gravity and the beautiful sight
of the big blue planet far below them.
There's no doubt about it - for at least once in my
life, I would like to get a taste of what few people have managed to
do, and that is to experience what an astronaut goes through. However,
this dream of mine does not necessarily mean that I would choose any
opportunity to live the life of an astronaut. For example, if someone
were to ask me, "Would you like to take a trip to the planet Mars?"
well, I would instantly (and loudly) reply with a big "NO!" Some of you
might at first be a little confused by my refusal of this offer. After
all, it's an opportunity to step foot on another planet, something to
date we've only been able to do with probes. My refusal comes from the
many problems that would come with traveling there, as well as problems
that might happen on the planet itself. First of all, Mars is very
far away from Earth. It would take months to travel there via the
current space technology we have, and being cooped up in a small space
for months would drive me bonkers. There's also the fact that there
would be no privacy, meaning you'd have to relieve yourself in a baggie
in front of everyone else on board several times a day. Also, it would
be hard to exercise in the space capsule, meaning you'd get physically
weaker every day that passed. Once you get to Mars, additional problems
could pop up. Even with all the probes that have landed on the planet,
there is still a great deal that's unknown about the planet. Possibly
there is some form of life on the planet. What if you were to encounter
it? And what if this life were hostile? Being stuck far away from help
- even radioing a question back to Earth would take several hours to
get an answer - you would really be on your own.
Even if nothing went wrong while being on the red planet
itself, you would soon have to face another big problem - the long trip
home. What if, on the trip to or from Mars, your appendix suddenly
started to burst?
As you can see, at least with the current space travel technology we
have, a trip to Mars would be a pain in the gluteus maximus (I
consider
my personal self too high class to...) So for now, when it comes to the
issue of traveling to Mars, I will stick to movies on that subject. I
get a lot of enjoyment from movies about missions to Mars (well, except
for Mission To
Mars,
which was ssssoooo ssssllllooowww.) When I watch these movies, I
imagine myself there on the planet with the astronauts, and I wonder
what I would do in various situations of peril the astronauts
inevitably find themselves in. The Angry Red Planet
promised a lot of such situations, which is why I chose to give it a
look. A release by American-International Pictures, the movie was a
sizable drive-in hit at the time, but has largely been forgotten over
the subsequent decades. Most of the movie is one big flashback, though
before that happens the movie spends several minutes setting things up.
Sometime in the future, we learn that Earth has sent into space the X1,
the first manned rocket to Mars. However, contact with the rocket
during the mission got cut off, and the rocket subsequently became lost
for over two months. Then all of a sudden, the rocket reappears and
lands on Earth. Though the rocket had launched with four astronauts,
only two are now on board. The first is Colonel O'Bannion (played by
Mohr), who is injured and has a strange alien growth on his body. The
second survivor is Doctor Iris Ryan (played by Hayden), who initially
has no memory of what happened on the mission. But the military brass
attached to this space mission, lead by one General Treegar (played by
Paul Hahn), feel it's very important for Ryan to remember what
happened, since the alien growth on O'Bannion is growing and
threatening to kill him. Giving Ryan some drugs that put her in a
trance, the hypnotized Ryan soon starts to tell the tale of what
happened to her and her three fellow astronauts on the Red Planet, a
tale that soon makes clear that the naming of Mars after the Roman god
of war was an apt decision...
As of this writing, The Angry Red Planet
is more than fifty years old. And when you have a movie that old that
is dealing with rocket science, it is perhaps inevitable that many
aspects of the movie in question will seem laughable when looking at
the movie with a modern day perspective. Perhaps in this case even more
laughable, because from clues like black and white televisions, the
movie does not seem to set this Mars expedition at a time in the
future, but in the 1960s. There are plenty of scientific goofs that
make parts of the movie unintentionally funny. For example, the hatch
to the spaceship is only about six feet from the ground, making one
wonder how they got such effective heat shielding from the fiery
rockets blasting just a few feet away. Inside the spaceship, a panel on
the wall has two lights indicating oxygen consumption, "normal" and
"excessive". Uh, what happens if oxygen consumption goes below normal?
Speaking of oxygen consumption, it would seem that oxygen would be very
valuable on a mission to Mars, making one wonder why the professor on
the space expedition (played by Les Tremayne of Starchaser: The Legend
Of Orin)
would be smoking a pipe. It is also a mystery as to why these
astronauts happen to have gravity on their space vehicle, especially
when during shots of the spacecraft floating through space show that
it's not rotating or any other manouver that might create artificial
gravity. It's probably not necessary to go into further detail about
the many scientific goofs in this movie. However, I will give the movie
credit where credit is due in one factor. In other space movies, when
the space travelers use radios to contact people extremely far away,
the back and forth chatter is instantaneous. Not so in this movie. When
these astronauts engage in radio conversations, they have to wait for
significantly long periods to get a reply, because they are so far away
from Earth. This is a nice, as well as accurate, touch. Also, the movie
spends a little time to show us that a trip to Mars would take not just
a few hours or days, but months. Another accurate touch.
But it's not just the treatment of science in The Angry Red Planet
that provokes a good amount of chuckles from the viewer, but also with
various things that the characters do in the movie. Most of these
particular laughs come after the astronauts land on Mars. Once they
land on Mars, do they spend a long time analyzing the area, maybe even
sending out a probe, before actually exiting their spacecraft with
confidence? Not these astronauts - they almost immediately exit their
spacecraft and start making a long trek into the Martian countryside.
It doesn't take them long to encounter plant life, plant life that is
much different from Earth plant life. Do they stop and study this plant
life before going any further? Nope - they zap the first plant they
encounter with a freeze gun to see if their weapon works, then
subsequently start a long trek with them ignoring many different kinds
of new plants along the way. It's only when one big plant wraps its
tentacles around one of the astronauts in an attempt to eat the unlucky
intended victim that gets all four astronauts to cut things short and
actually head back to the ship. (Actually, the victim has to wrap the
tentacle around herself like Bela Lugosi had to do in Bride Of The Monster.)
With all four astronauts not conducting their business in a very
logical way, it should come as no surprise that in the end all of them
come across little better than stereotypes you have seen in other space
exploration movies. There's the token female, the professor, the
female's love interest, and then there is the expendable muscle (played
by Jack Kruschen of Mountain Man).
Whenever these characters get to talk, nothing about them makes them
particularly interesting or stands out in any manner. The movie's
attitude towards them seems to be that since you have seen these basic
characters before, use what you've seen in those other movies to fill
in the many blank spaces found in these particular characters.
Clearly, the movie could have done with some extra work
when it came to writing the screenplay. Co-writer/producer Sidney Pink (Reptilicus)
could have made this movie smarter and therefore more memorable. But I
have to admit that I was still charmed by the movie. The scattered
unintended laughs are pleasing, but the movie also has some genuine
merit that you may not be expecting. The biggest and most pleasant
surprise about The
Angry Red Planet
is that despite being burdened with a low budget, the movie manages to
make Mars into a real alien and un-Earth like world, a world with
surprises at every turn. The special effects department accomplishes
this in several ways. First, there is the movie's ballyhooed
"Cinemagic" process during the outdoor Martian sequences. The
photography in these scenes shows only red and white colors, a kind of
solorisation effect. Not only does this give everything an alien-like
look, it also helps to improve some of the other special effects like
matte paintings, as well as puppet effects representing various Martian
monsters, all of which would have looked cheap and tacky with normal
photography. The monsters are surprisingly convincing, and the
landscape is creepy and mysterious. With all these various special
effects combined, we have a real alien world here. As a result, I was
really interested in this world, a world that seemed to have a new and
unique surprise at every turn in the path. To add to the mysterious and
creepy feeling generated by the special effects, there is an effective
musical score by Paul Dunlap. It's an electronic score, but one that
plays much softer and subtler than expected, and adds to the feeling of
eeriness other parts of the movie generates. It's kind of surprising
that a movie with plenty of silly (but entertaining) moments also
manages many times to be moody, atmospheric, and effective. But then
again, I have a feeling that fifty years from now, future audiences
will be laughing at many moments in the Mars movies being made right
now. So I'll cut this movie some slack, and give it a recommendation.
(Posted April 10, 2015)
UPDATE: Mike Mueller sent this in:
"Howdydo, and thanks for
giving The Angry Red Planet a
fair shake. More Flash Gordon
than Gravity,
but they still got some things right. First-time scripter Sid
Pink knocked out the initial draft in 5 days with no pre-formed idea of
how it would conclude. Naura Hayden, under contract to Pink, suggested
that adding scientific elements might make it more credible. Sci-Fi guy
Ib Melchior, who recently passed @ age 97, offered a free rewrite if
allowed to direct.
"Pink admitted that the 'Cinemagic' gimmick didn't work out as
expected. Developed by comics artist Norman Maurer, who also
designed the Martian aliens and landscapes, the process intended to
make actors appear as a live-action comic. (Freeze any Mars
scene, and it DOES kinda look like a comic.) Test stills
convinced them that it would work. Regrettably, when filmed it
looked like what it was: B-movie types going thru the motions
while trying not to embarass themselves.
"Cinematographer Stanley Cortez (Night
of the Hunter),
unhappy with being shut out of indie productions due to his rep of
being slow and tempermental, offered to work for union scale.
(The entire crew, as well as fading Bogart clone Gerald Mohr, also
worked @ union scale.)"
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See also: Evil Aliens, Lifeform, Species - The
Awakening
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