Schizoid
(1980)
Director: David Paulsen
Cast: Klaus Kinski, Mariana Hill, Craig Wasson
Because
I
have reviewed hundreds of bad movies over the years, I can understand
why some readers might think that I am a cynical kind of person, one
who more often than not sees the glass as half empty instead of being
half full. Well, that is partially true. Believe me, I try my best to
find good unknown movies to review, and I usually manage to write a
positive review about half of the time. But this task to find good
movies is quite often very hard to do, since I will admit there are
more stinkers than gems out there. More often than not when I approach
a movie I haven't seen before, my guard is up and I approach with
suspicion. But I think that part of my movie cynicism comes from a lot
of bad experiences I have with various people over the years. In past
reviews, I have described what an oddball I was growing up, and it kind
of made me an outcast among my peers. It didn't help that I was a
voracious reader growing up, and I read countless tales of people
acting badly. So unless it's a person I have known very well for a long
time, I approach that person (or a work from that person like a movie)
with my guard up. There are many people in this society of ours that I
don't trust. For example, I don't trust any politicans. It seems that
just about every politician eventually gets corrupt to some degree, or
more likely corrupt to a great degree.
I also don't trust butchers. That's because I have seen horror stories
on TV about meat being prepared in unsanitary conditions. For that
matter, I also don't trust chefs, since you can never be sure if they
have spit in your food or not. (Curiously, I eat butcher meats and at
restaurants all the time. Maybe filth and foreign saliva does make food
taste better.)
There's one other profession that I feel somewhat uneasy
about, and that is the medical profession. I have had my own bad
experiences with doctors. When I became severely ill several years ago,
I went through a whole bunch of different doctors trying to find a
solution to my ailment. And some of these doctors either didn't help in
any way, or just made the problem even worse. Eventually I got better,
but the hell that I went through gave me a severely negative view of
the entire medical profession. However, I got one positive thing out of
the entire experience, and that was that it made clear to me how much
potential horror movies involving doctors and the entire medical
profession can have. Just think about it for a while. There are many
people out there who are very sick and are depending on doctors,
putting their lives into their hands. What if there was a doctor who
took advantage of this trust in order to commit various horrific acts?
Apparently a lot of people would agree with me - just look at the
countless movies that have been made about mad or simply homicidal
doctors. For that matter, the entire medical field is ripe for horror
exploitation. There are not only a lot of crazy doctors; there are also
a lot of crazy patients out there. One of those patients could easily
do some slashing on his or her own. And the medical settings themselves
contribute to the uneasy atmosphere. For example, an asylum is a great
place to set a medical horror movie, since not only would you have
dozens of crazy patients as suspects, the atmosphere could easily make
a doctor crack under the strain and have him or her commit various
sordid acts.
There's no doubt about it - patients, doctors, and
medical settings can all contribute to a successful horror movie.
For example, there is the Canadian horror movie Visiting Hours,
one of the more sucessful slashers of its era both in quality and at
the box office. Pre-viewing research
on Schizoid revealed to me that it didn't fare
as well during or after its theatrical release, but I still had high
hopes for it.
The movie promised to exploit all three of those elements I listed at
the beginning of its paragraph. The medical setting that the events of
the movie revolve around is a therapy group. In this group, all the
patients have some sort of big problem on their minds, problems big
enough that each of them is understandably a suspect. And the doctor
who leads the group is played by none other than Klaus Kinski, who I
think you know was unsteady in real life as he often played his
characters in movies. Though you might think Kinski's doctor character
is clearly seen throughout bumping off people, actually the character
is one of several suspects in the movie. Kinski (Salt In The Wound)
plays Dr. Pieter Fales, who has a lot of problems in his personal life,
not just the fact that patients in his therapy group are being killed
off one by one. One of his problems is his unsteady daughter Allison
(Donna Wilkes, Angel),
who does not appreciate her father being overly friendly with several
women in the therapy group. And one of those women is Julie (Hill, The
Baby)
an advice columnist who recently has been getting threatening letters
in the mail. Julie is divorced from her husband Doug (Wasson, Ghost Story),
who apparently still has feelings towards her. Adding to the list of
suspects is Julie's janitor, the very weird Gilbert (Christopher Lloyd,
Interstate 60).
Police detectives Jake (Joel Regalbuto, The Sword And The
Sorcerer) and Donahue (Richard Herd, T.J. Hooker) are on the case, but
how many more people will be killed before they catch the killer, if
ever?
Schizoid
has some immediate interest not just from the ingredients that it
promises to exploit. For one thing, the movie was one of the first
productions from notorious movie producers Menahem Golan and Yoram
Globus after they purchased Cannon Films the year before. And it's one
of the few horror movies they made in their careers. As I said in the
previous paragraph, the movie didn't make a big impact critically or
financially when released...
but the movie was an indication of what was to come from the cousins.
For starters, while Schizoid
was a conservatively budgeted enterprise like many of their subsequent
movies, it doesn't take long to see that the cousins had an ability to
make a good looking movie despite the somewhat limited funds. The movie
has good photography and lighting, whether a scene takes place indoors
or outdoors, and whatever time of day or night it is. While the budget
didn't apparently allow for any sets to be built, the locations are
well chosen and furnished by the set decorators for the most part. In
fact, many of these surroundings add an air of authenticity that super
slick sets might have lacked. But the movie also looks good in ways
other than basic production values. The movie also boasts an ingredient
that was to be found in subsequent Golan and Globus productions:
sleaze. The main kind of sleaze to be found in Schizoid
is the sexual kind. Among other things, the movie displays several
young women in a hot tub, there's a scene at a strip club, there are a
couple of sex scenes, and there is one scene where a father stumbles
across his daughter undressing, and doesn't immediately look away.
That last scene, as you may have guessed, has Klaus
Kinski playing the father. What you may not have guessed, however, is
that he also is involved in the aforementioned two sex scenes in the
movie. But don't worry - director David Paulsen (Savage Weekend)
thankfully has Kinski keep all his clothes on in the first sex
sequence, and in the second sex sequence shoots Kinski from the chest
up (though he does allow Kinski to do some nipple licking.) Though this
restraint used for Kinski's erotic moments also seems to extend to how
Kinski is used for the rest of Schizoid.
In many ways, the movie wastes Kinski. In the first third of the movie,
Kinski has hardly any dialogue. He does get more to say in the
subsequent portion of the movie, but again he's mostly wasted. His
character says very little as to what he's thinking or feeling; in the
end, Kinski doesn't have much of a character at all. Sure, Kinski does
bring in some instant creepiness just by showing up, but that's about
all when it comes to his character's personality. But Kinski is not the
only actor in the movie who is not given much to do. Christopher Lloyd
is skilled enough with his acting to make his character a believable
suspect, but he only has two or so (brief) scenes in the movie to show
his stuff. Craig Wasson as the upset ex-husband of the movie's heroine
only appears in one small scene in the first third of the movie, and
only makes a few other equally minimal scenes in the remaining hour.
Joel Regalbuto and Richard Herd also don't have much to do in the
movie, despite the fact that you would expect their policemen
characters to be heavily involved when the body count starts to rise.
Worst of all are the portrayal of the killer's victims.
They are given almost no screen time or dialogue that would develop
them as real characters. They are so anonymous and interchangeable that
we in the audience have no feelings one way or another when they are
bumped off. It doesn't help that the stalk and slash scenes themselves
are generally badly handled by director Paulsen. Now, I will give these
scenes a little credit; Paulsen does direct these scenes in a way that
suggest he was influenced by Italian giallo
movies. Among other touches, the killer wears a black hat and gloves,
and uses scissors to kill. Though touches like those give these scenes
a little interest, in the end they do little to make the stalk and
slash scenes come across more than routine at best. There's
surprisingly very little blood spilled in the actual murders, or
subsequently seen when the bodies are discovered. Even worse is the
total body count; believe it or not, the killer's final body count is a
measly three victims. Had
there been a bigger (and bloodier) body count, I think Schizoid
would have been a lot better. This would not only have given the movie
a lot more action to keep things lively, it also would have increased
the tension considerably. As it is, the movie is for the most part
extremely boring, with almost nothing of real consequence happening
between the murders. It's scene after scene of padding. There's not
even a real mystery of who the murderer might be and why the murderer
is bumping people off. That's mainly because in the first murder
sequence, director Paulson botches one shot of the "unidentified"
murderer so badly that we see enough of the murderer's face so that we
can identify him or her long before the movie gets to its "surprise
revelation". In the end, this Schizoid
has the apathy and lack of human interest that real life patients of
the disorder have, and would only be of interest to Cannon
completionists.
(Posted June 23, 2020)
Check for availability on Amazon (DVD/Blu-Ray
combo)
See also: Crawlspace, Slaughter High, To All A
Good Night
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