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Arena
(1989)
Director: Peter Manoogian
Cast: Paul Satterfield, Hamilton Camp, Claudia Christian
I know that I
have said it before, but I think it's something that is worth saying
again so you know where I am coming from. That being that while I may
enjoy certain cinematic displays of athletic activity, when it comes to
watching them in real life, I don't want anything to do with them. I am
sure this prejudice comes from the fact that I have always been very
unathletic in real life, and the humiliation I got in physical
education class in school cemented my prejudice. But whatever the
causes might be, I find plenty to nitpick about any real life sport.
For example, take martial arts competitions. Personally, I find bouts
where people are actually getting hurt to be kind of mean spirited, and
the fact that the bouts are more often than not just very brief spurts
of action mixed with long pauses in-between means they get boring to me
really fast. So give me martial arts in movies any day of the week.
Knowing that the martial arts actors in movies are (usually) not
getting hurt while being filmed makes watching them more palatable.
Other advantages martial arts movies have include that their fights go
a lot longer and have a lot more action than bouts in real life
tournaments. Also, these movies have bad guys who are more often than
not depicted as getting greatly punished by being inflicted with a
number of punishing blows. Seeing some evil character get punished that
way usually puts me in a great frame of mind. I know that what I am
seeing is a work of fiction and that real bad people are not getting
punished, but knowing that there are not real life dire consequences
for the good guys for beating the crap out of people doesn't throw a
wet blanket on things.
However, I must emphasize that not every movie involving
hand to hand combat entertains me. After seeing so many such movies, my
demands are a lot greater than when I started to watch these movies so
many years ago. To move me nowadays, one of these movies has to be made
with extreme skill. Though even expert craftsmanship doesn't hide the
fact that to me at least, I am seeing the same things over and over in
these movies. What the martial arts movie genre needs is some new and
fresh angles to be put in. In fact, that could be applied to any movie
genre involving some kind of sport. It can be done. Let me tell you
about one such movie where the sport was given a radically fresh angle,
the 1991 Italian movie The Last Match,
which stars Ernest Borgnine, Charles Napier, Henry Silva, and Martin
Balsam. I haven't seen the movie, but I have read about it from several
sources to know what it's all about. It's about an American football
coach whose daughter is arrested and jailed in a third world country.
The football coach and his team decide to use their football skills to
rescue the coach's daughter. So the team executes a commando raid on
the prison - while wearing their
football uniforms
- and use their football skills with modern weaponry to defeat the
enemy, like when one player puts a grenade in a football and kicks it
into an enemy helicopter flying overhead, blowing it up. While I hate
the traditional kind of football, these reported twists to the sport in
this film intrigues me enough that I have to ask just why on earth this
movie hasn't been given an official video release in North America.
Well, probably because reports state it's an awful movie. But even so,
how could anyone not be curious about a movie with that premise?
I'll now get back to what I was talking about before,
martial arts movies. As I said earlier, I am seeing the same things
over and over in most new martial arts movies, and my tastes have
slowly become more demanding. Maybe if I had seen Cynthia Rothrock
movies such as Guardian Angel
and Angel Of Fury
as a child, I would have thought them to be top notch action packed
movies. But having seen so many martial arts movies, I know that they
are definitely sub par for the genre. But recently, I stumbled across a
martial arts movie - Arena - that had
advertised twists that I hadn't seen in any
other martial arts movie before. Some might question if its twists make
it qualify as a martial arts movie, but if real life ultimate fighting
with its mixed fighting arts qualifies as a kind of martial arts
display, I say that this movie does. Let me explain with a synopsis of
the plot. Arena
takes place in some far flung-off part of the universe hundreds of
years from now. Mankind has long discovered alien life, and has
discovered that
while aliens may look a lot different than humans, they share
similarities in their tastes for entertainment - one being the game
known as "The Arena". "The Arena" consists of two different alien
species duking it out in a fighting ring, but with special lights
shining on the contestants to increase or decrease their strength so
that they are equal in strength and must rely instead on their fighting
skills to defeat their opponent. Humans are free to participate, but no
human has won the championship for decades. But that might be
about to change. A lowly space station cook named Steve Armstrong
(Satterfield, The Bold And The
Beautiful)
one day gets into a brawl in the restaurant with an alien arena
fighter, and manages to defeat the alien. When Quinn (Christian, Babylon 5),
the alien's manager, hears about Steve managing to defeat one of her
best fighters, she approaches Steve and offers to manage him. Steve
initially says no, but soon finds out he needs money not only to get
back to Earth, but to pay off a mobster who is holding his best friend
Shorty (Camp) for ransom. Steve eventually signs up with Quinn, and in
a short time he's out in the ring punching and kicking various aliens -
and does surprisingly well in the process. Eventually he is in place to
fight the current top arena champion. But this doesn't please everyone,
and soon there are plans to sabotage the upcoming championship bout.
Before I comment about anything else related to Arena,
I feel I should mention that while I was watching the movie, every so
often I would think the same particular thought in my mind - almost
certainly the same particular thought you
had when you read the above plot synopsis. And that particular thought
happened to be, "Gee, I have seen this same basic plot a number of
times before in television shows and other movies." True, those other
productions didn't take place in the future with aliens, but the core
of the story - a recruited newbie fighter who works his way up to a
climactic (and sabotaged) championship bout - has been around since at
least the 1930s. I'm sure you'll be able to predict every major plot
turn long before it happens. Though as predictable as the basic plot
may be, director Peter Manoogian (Eliminators)
does make things somewhat less tired than usual. For starters, the feel
of the story is less serious than other past takes. I'm not saying that
the movie jokes around with the plot (though there is comedy relief
here and there), but that there is a more relaxed feeling to what we
see. This rendition feels somewhat less forced than other films using
the same story. For the first third, Arena
often takes its time to go from one plot turn to another, and as a
result you can better believe what the various characters do. But
Manoogian also knows that there is some fat to the classic story that
can be easily trimmed. For example, in this version is no training
montage that the hero goes through before entering his first fight;
after signing up, he almost immediately goes to his first fight in the
arena. And while you may think that a romance eventually blossoms
between the hero and his female manager, that does not really happen at
all. The two have a pretty much professional relationship instead. Not
only was I thankful the movie did not bog down in sappiness, I thought
this relationship was a lot more realistic.
Manoogian also shows on occasion some skill when it
comes to one of the showcase features of Arena,
the parts of the movie that use special effects. Now, given that this
was a production bankrolled by Empire Pictures (like with his Eliminators),
there are inevitably some special effects that look rather cheap; the
parts of the movie showing the outside of the space station and its
surroundings look crude and muddy. And some of the interiors of the
space station have a cheap feeling to them, though to Manoogian's
credit, he scruffs up a lot of these sets to give the feeling that this
space station has been well used, and it somewhat hides some of the low
budget. And Manoogian seems to have wisely reserved much of the budget
for the key parts of the movie, namely the fight sequences at the space
station's arena. The arena itself has the genuine feeling of being wide
and filled with hundreds of spectators despite the limited funds and
special effects shots; there's real atmosphere here. And there are the
various aliens that our human hero has bouts with. I certainly have to
admit that some of Arena's
aliens really do look alien. The hero's first bout is with a gigantic
creature that is simply indescribable, and later during a training
session our hero works out with another massive alien. Some real care
and planning was done with the creation of many of these creatures. I
will admit that most of the aliens are simply human-sized with make-up
all over their heads instead of something more imaginative, and that
all the aliens have a rubbery appearance to their construction or
make-up. But to be honest, I didn't mind these seams showing. As tacky
as these aliens may appear at times, Manoogian somehow manages to make
the audience accept these rubbery-looking creatures. His direction of
these creatures is unpretentious, seemingly saying that he himself
accepts these creations, so just sit back and accept them for yourself.
I did.
As for the actual fights in Arena,
I have a feeling that some viewers might be somewhat disappointed in
this area. Apart from a quick montage sequence showing clips of various
fights, we only get to see the human hero Steve Armstrong in two
arena bouts in the entire movie. And one of those bouts is with a
humanoid alien, so Armstrong fights him like a human opponent, leading
to no creativity in his fighting in this particular bout. The movie
could have used a few more bouts with really
alien aliens. But despite this, the movie did win me over with the
character of Steve Armstrong. Thanks in part due to a good performance
by actor Paul Satterfield, Steve Armstrong comes across as a very
likable character. He's good-natured, willing to help out a friend, and
success does not spoil him. He also generates some good chemistry in
his scenes with his best friend Shorty, played by actor Hamilton Camp.
Camp steals the show at times in part due to his character having four
arms, a feature that delivers some genuine comedy relief. However, I do
think that the character of Quinn the manager is pretty wasted. Actress
Claudia Christian does make this woman believable as a manager, but she
doesn't get that much to do, and could have easily been written out.
And the movie's chief bad guy (played by Marc Alaimo of Star Trek: Deep Space Nine),
this particular telling's evil mobster who attempts to sabotage the
championship bout, has some icy presence, but doesn't come across quite
as ruthless as this particular role demands. As you can see from all
that I've told you, Arena
is far from a perfect movie. But it executes an old formula well enough
to be watchable, with either the right respectful tone or with a touch
that's offbeat enough that it keeps you watching, even though you'll
have a pretty good idea what will happen in its core before it actually
does.
(Posted September 12, 2018)
Check
for availability on Amazon (DVD)
See also: Expect No Mercy,
King Of The Kickboxers, Star Kid
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