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Journey To The Seventh Planet
(1962)
Director: Sidney W. Pink
Cast: John Agar, Greta Thyseen, Carl Ottosen
I know that
in a few decades from now, I won't be kicking around anymore, and I'm
kind of bummed about that. Not just for the obvious reasons, but also
that I won't get to see various significant achievements by mankind in
the future. One of the things in the future that I regret that I won't
get to see is space travel. Oh sure, I live in a world right now where
we have landed man on the moon and we have a space station orbiting
around the Earth, but I don't consider that real space travel. I will consider
mankind real
space travelers when they start to land people on some far away planet.
If that were to happen in my lifetime, I would be very happy... but at
the same time, I would hope that if that starts to happen, mankind
would have learned enough from its mistakes in the past to not start
screwing things up. Let me give you two examples concerning mankind
settling in new places far from civilization in the past. There is
Australia, for example. For some reason or another, some settlers of
Australia thought it would be a swell idea to bring rabbits to
Australia. Big mistake - the rabbit population soon swelled out of
control and became pests to the farmers and other settlers, and still
remain a problem today. Another example of man screwing things up
started in World War II. During the Pacific War, the American military
sailed to a remote island that had a native population in it, and set
up an air base. The natives were quickly stunned by what they saw of
the military, especially with their airplanes. When the war ended, the
American military left, but by then the natives considered the departed
soldiers gods of some sort. The natives now had a new religion, where
they worshipped their new gods and built replicas of airplanes to pray
to, among other things.
I think you can see the potential problem I have with
the idea of people traveling to a new planet. Even if a new planet that
gets visited turns out to not be inhabited by some form of life,
visiting astronauts could still screw up the new planet some way or
another. I wonder what will happen several decades from now when NASA
plans to send people to Mars. Well, probably nothing that bad will
happen. Mars has been observed countless times by satellites,
telescopes, and ground probes, and it does appear to be a desolate
place with no life. Still, you can never be too sure. So if mankind
manages to leave this solar system and travel to a new solar system
that has some planet that could contain life, how should we approach
it? I've done some thinking, and I have come up with a plan that I
think space explorers should follow. First, observe the planet from a
distance, maybe with some sort of space telescope like the Hubble. At
the same time, constantly probe the planet from a distance for anything
like radio signals. Then after gathering enough information, maybe send
satellites to orbit the planet for a closer look. After doing that for
some time and gathering more information, if it seems safe, send some
sort of probe down, but in an isolated corner of the planet (like a
small island, for example.) And after getting even more information
from these probes, if it seems safe, only then should humans be sent to
the planet. And these humans should not only be sent to those isolated
corners first, they should be properly trained in ways to not screw up
the planet's ecosystem. Lastly, if intelligent life should be detected
at any of those above stages, there should be a serious discussion by
mankind if we should present ourselves to this intelligent life.
I think most people of reasonable intelligence would
more or less agree with me about how a new planet should be approached.
Unfortunately, as you probably know by now, so many movies that have
been made about approaching new worlds have the space travelers acting
very stupidly. Take the 2013 movie Europa Report.
Now, I liked the movie for the most part, but if I recall correctly,
there was one thing about it that bothered me - that there was no
evidence Earth had sent
unmanned probes to land on the moon of Europa before sending space
travelers
there. But that flaw seems meaningless when you compare the movie to
most space travel movies from the 1950s and 1960s. In those movies,
space travelers more often than not explore the new planet with hardly
any preparation beforehand - if any at all. That's what I expected with
Journey
To The Seventh Planet.
Did the movie surprise me in that aspect, or at least have some
features that made up for any shallow thinking? First, the plot. In the
year 2001, space travel to other planets in the solar system has long
become a reality, and most planets have been visited by mankind.
However, Uranus has yet to be visited. The United Nations decides to
send a five man team, including one Captain John Graham (Agar, The Brain From Planet
Arous),
to explore the planet. During the space journey to the planet, the five
men are briefly knocked out by some sort of presence, but eventually
wake up with seemingly no ill effects. When they soon after land on
Uranus, they are stunned to find they in a warm and Earth-like forest
that is surrounded by some kind of barrier. The mystery deepens as
they explore the area some more, with their discovery of an Earth-like
Danish village containing sexy women the various crew members knew back
on Earth. Obviously, all of what the crew has so far seen on this
planet can't be real, but what is generating all of these sights? And
is it possibly a threat to not only the crew, but all of mankind back
on Earth?
If you have even just a limited knowledge of classic
science fiction literature, more likely than not you will have seen
that the plot of Journey
To The Seventh Planet has a strong whiff of the 1948 Ray
Bradbury short story Mars Is
Heaven!, which a couple of years later was later included in the
Bradbury novel The Martian
Chronicles.
While I'm pretty sure that the similarities were not a coincidence, I
am also confident there was a more pressing reason to imitate
Bradbury's story than admiration or bankrupt imagination, and I'll
discuss it later in the review. Anyway, the decision to take what was
originally a short story and stretch it out to feature length is one
reason why this imitation does not work. It doesn't take long to
realize that the story here is thin, with a lot of padding between what
few plot turns that there are. The movie is so slow and uneventful that
in the first hour of this seventy seven minute long movie, none of the
five astronauts are killed or even suffer from major injuries. I have
to admit that I was so bored with the slow moving central story,
whenever I was observing a particularly slow bit I was wondering about
various implausible things that I had observed earlier in the movie,
many of them having to do with the alien force on the planet. I guess I
could buy an alien force able to generate breathable air, a warm
atmosphere, and a Danish village full of voluptuous women - who knows
what real aliens might be able to do? But why would an intelligent
alien force choose to create stuff that (supposedly) intelligent humans
would instantly see was fake? A more subtle (yet all the same inviting)
approach would have been more logical. Also, when the humans get
dangerously close for comfort, the alien doesn't go all out to repel
the humans. Instead, its actions come across as half-hearted, as if it
wants to give the humans a chance to kill it. That doesn't make sense
at all.
The alien force, when we get to know it more, is a real
disappointment. We do eventually get to hear what its ambitions are,
but when it comes to showing any sort of personality or character, the
movie simply does not try at all. We learn nothing about its past, like
how it got there or if there are any more of its kind. It's too much of
a mysterious creature for its own good. For that matter, the human
characters in Journey
To The Seventh Planet
are an equal disappointment. The top-billed John Agar, the only "star"
of the cast (who oddly plays the second in command instead of the chief
commander of the space mission), isn't as embarrassing here as he
sometimes was in other B movies around this time, but his character
isn't written to be very interesting. We learn the character had an eye
out for the ladies back on Earth, and that is about it. In fact, the
character is pretty interchangeable with the equally bland four other
astronaut characters. Because of this, I didn't really care whether or
not the five astronauts would survive. And because of that, the scenes
involving the characters getting into various perils (quicksand, a
space suit being punctured, etc.) didn't hold that much interest for
me. Though I feel I should also point out that the direction of the
movie is as equally at fault in those scenes as the unmemorable
characters. Director Sidney Pink (Reptilicus)
more often than not uses an approach in those scenes that more comes
across as a matter of fact than anything else. For example, you would
think that mankind's first direct meeting of an alien force would
generate some kind of big emotion - awe, fear, curiosity, or something
else along those lines. But these five astronauts again and again
handle the alien as well as its powers almost like they were expecting
it.
You may be wondering at this point what the special
effects are like when it comes to depicting the alien when it's finally
revealed. Actually, I don't think we ever get to see a really clear
look at it, since it's usually shot close up and with murky optic
effects clouding the screen in its limited footage. But there's a
reason for that, and it also seems to be the reason why much of the
movie takes place in that Danish village. The budget of the movie was
reportedly only around $75,000, which was pretty low even by 1962
standards - especially for a genre movie such as this. So it's
understandable why much of the movie was shot on existing places and
sets available to the Danish filmmakers. The set designers did manage
under the tight circumstances to construct an okay (for its time) space
ship interior, and equally passable are the frozen Uranus landscape and
caves the astronauts trudge through at certain points in the movie.
However, the special effects mixed in with these sets are less than
satisfying, not just with the depiction of the alien. A gigantic
spider, for example, is accomplished by borrowing footage from 1958's Earth Vs. The Spider
and tinting the black and white footage blue to match the surrounding
color footage. And the less said about the stop-motion monster branded
by one astronaut as being a giant "rat" (which looks nothing like a
rat), the better. Actually, the special effects we see in the movie
could have been a lot worse. Reports say that when Pink submitted the
movie to American-International Pictures, the studio brass were so
horrified by the awful special effects that they quickly and cheaply
(though not as quickly and cheaply as they were done originally) came
up with their own as a replacement. Of course, this means that the
version of Journey
To The Seventh Planet
we are seeing now is not the director's original vision. If someday MGM
(which now owns the movie) releases a director's cut of the movie, I
will rewatch it and add a footnote to this review as to how that
version of the movie plays out. But to be honest, considering how bad
the rest of the movie would still be, and that the original special
effects would likely be worse than they are now, I hope that director's
cut doesn't come out any time soon.
(Posted September 7, 2015)
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See also: Dark Planet, Invader, Lifepod
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