Odd Jobs
(1986)
Director: Mark Story
Cast: Paul Reiser, Robert Townsend, Scott McGinnis
Over the
years, I have certainly learned a lot of things. With this web site,
for example, I have learned that there is a substantial audience out
there who are interested in movies that are offbeat in one aspect or
another. And I've also learned that some of those people expect me to
drop everything I'm doing and research on their behalf (and without
compensation) something to do with an unknown movie. This as well as
other observations in my life have lead me to a conclusion that I think
everyone would agree with. And that is that everybody wants something.
For example, I want a large readership for my web site. That thought
probably doesn't go through the heads of most people, but there are
certain things I think virtually all people want to assure that they
have. One desire most people have is for people in their lives, friends
and family, in order to get a sense of acceptance and belonging. But
there are other desires as well. Food, for instance, as well as a home
of their own. But for people to get those two things, most likely they
have the desire to have some kind of employment so that they can earn
the money to get food and a place of their own. Those are the main
reason why most people happen to have some kind of employment to head
to day after day. But I think many people desire the right kind of
employment for reasons other than a way to get food and shelter. I
think many people enjoy having a job because it gives them some kind of
discipline and order in their lives. Another reason is the same reason
why people desire friends and family in their lives, to know that they
belong to something and are valued. To have that in your life is a big
boost to your ego.
Over the years, I have worked in a number of jobs before
settling into the job that I currently work at. I've been a lawn mower,
a worker at a fast food restaurant, someone who stuffed flyers into
local newspapers, an assistant at a learning disabilities organization,
an English teacher in South Korea, a freelance writer for a British
publication, a technical writer slash research assistant, an
administrative assistant at a government ministry, a clerk at a used
book store, as well as a clerk at a charity thrift shop. As you can
see, I certainly have had a wide range of employment experiences. Some
of them were not pleasant jobs, but in a way I'm glad I had those
unpleasant employment experiences because compared to them, the job
where I am now comes across as one of the best that I've ever had.
While I am happy at the job I am at now, at the same time there are
occasions in the back of my mind where there is a kind of regret.
Sometimes I wish that I was my own boss, where I could do exactly the
kind of work that I wanted to do, and not be worried about getting
chewed out by a superior. Often I think that being in such a position
would give me a great sense of accomplishment. But when I think about
it for a long enough period, potential problems come up in my mind. For
the most part I am a follower and not a leader - I have a big problem
picturing myself in firm control over people who would be working under
me. Also, if I made a decision that later turned out to be a bad one, I
would only have myself to blame - I couldn't lay the blame on a boss
who told me what to do, because I would be the boss. And there are so
many complex decisions to be made when you are the boss. I think I
would in short order be totally stressed out if I constantly had to
made big decisions.
So after thinking about it a little, I am glad that I am
not my own boss, and I realize that my job is a good one for a person
with my frame of mind. At the same time, however, I do get enjoyment
from the idea of someone quitting being a follower and starting their
own business and being their own
boss. Sometimes I get this pleasurable
idea in my mind by watching various motion pictures. There have
certainly been a lot of movies concerning people who start their own
business, and it's interesting to observe that so many of them have
been comedies. The most plausible reason is that so much about running
a business is humdrum stuff that a serious movie on the subject would
be boring. When I came across Odd Jobs,
I had no problem seeing another comic take on people running their own
business. I was only concerned with whether it would be funny or not.
The movie concerns five college students who belong to the same
fraternity. Classes have stopped for the summer, so they go out looking
for summer jobs. Byron (Paul Provenza, Survival Quest)
and Dwight (Townsend, Hollywood Shuffle)
get hired to work as caddies at a golf course; Roy (Rick Overton, Blind
Fury) lands a job selling vacuum cleaners; Woody (McGinnis, 3:15)
becomes a waiter and Max (Reiser, Mad
About You)
is hired by the Cabrezi Brothers' moving company. As it turns out, none
of these jobs work
out for the five young men for various reasons. Eventually, Max comes
up with an idea: Why not start their own business? With Max having
learned
all about the moving business from his job, the five men decide to
start their own moving business. But it doesn't take long for the five
men to discover that there will be a lot of challenges ahead, with them
having to set up the business, finding customers who will hire their
services, and serving the customers properly. They also soon find out
that Max's previous employers are not exactly happy about having some
competition, and are willing to do anything to put this new business
out of business.
There is nothing really wrong with the plot premise of Odd Jobs.
With a cast that includes a number of characters in both the
protagonist and antagonist categories, the movie had the opportunity to
include a number of colorful and funny characters on display. Also,
while I can't immediately think of any other comedies involving the
moving industry, the basic plot all the same comes off as one that
could very well deliver a lot of laughs. Unfortunately, Odd Jobs manages
to fail in pretty much every aspect of the execution you can think of.
I'll start by examining how the basic story unfolds. The movie makes
its first misstep in the first few seconds of the opening credits. As
the credits unfold, we hear a magazine reporter interviewing the main
characters about their successful business, and wanting to learn about
how they did it. The remainder of the movie is a flashback to how they
achieved that success. Because of this narration both here and
sporadically throughout the movie, we know right from the start that
the men are going to succeed. As a result, there's no suspense and no
surprise despite the many setbacks the men have along the way. It's
hard to get involved with their struggles if we know for certain that
they will eventually become winners. But that's not the only problem
with how the basic story unfolds. Another problem is how long it takes
for Max to come up with the idea of the gang starting and running their
own business. It takes much longer than you might think for the idea to
come up. In fact, it takes a little over half of the movie before Max
gets the idea for the business. By then I think many viewers will have
grown impatient about how much time the movie wastes by devoting time
to the characters' unpleasant summer jobs, footage that doesn't affect
the main plot in the slightest. All this unnecessary footage also
results in that key scenes - like how Max gets a moving truck and an
office for his business, business cards printed up, and uniforms for
his friends - never make an appearance.
There is also a go-nowhere subplot about Max's
girlfriend spending time with her new boyfriend "Spud" (played by
Richard Dean Anderson of MacGyver)
- a subplot that is eventually resolved in not only one of the lamest
and quickest subplot resolutions I have ever seen in a movie, but also
doesn't affect in the least bit the remainder of the movie that has yet
to unfold. There seems to be no reason for "Spud" to be in this movie
except to extend the script to running feature length. But it wasn't
just the character of "Spud" that I had a problem with in Odd Jobs.
In fact, I had a problem with just about any character of significance
in the movie. And that includes the five fraternity friends who
eventually decide to start their own moving business. The character of
Max does show some leadership traits, making some important decisions
for the group here and there - but that's pretty much all that's done
with these five characters. For the majority of the movie, these five
young men think and act completely alike. There's nothing done to
differentiate themselves from each other, in a comic sense or
otherwise. Even worse are the depictions of the movie's villains. The
ringleader, Manny Cabrezi (who, by the way, seems to be the only
Cabrezi in the movie despite his business' name proclaiming more than
one Cabrezi) barely gets any screen time, so he never feels like any
kind of threat. The goons that work under him are a bunch of extremely
simple minded cretins, a kind you have seen in countless other movies
before. With these barely sketched-out characters, it's no wonder that
most of the cast can't do anything with them despite their talents. The
only actor who manages to scrape something together is Leo Burmester (The Abyss)
as a freelance trucker who first works for the Cabrezi company but
later for the heroes. Burmester puts a lot of energy into his
performance, enough that there is some life visible in his scenes
despite his character being written as a crude and predictable
caricature.
While the basic story as well as the central characters
were, to put it mildly, inadequately written, there was still the
chance that Odd
Jobs
could have been salvaged by a constant barrage of funny gags. But
except for one brief sequence (more on that later), I simply didn't
find this movie the least bit funny. The gags in the movie are not
simply unfunny, they are unfunny in ways that will make you seriously
question the screenwriters' sense of humor. There are several gags in
the movie that border on bad taste, like when the Caucasian Byron,
staying at the home of African-American Dwight's parents, feels he has
to act "black". So Byron proceeds to make an ass out of himself by
shucking and jiving in front of Dwight's family outrageously. Later in
the movie, in order to drum up customers who want to move, Dwight and
his African-American friends drive to a W.A.S.P. neighborhood and
horrify the residents by breakdancing and playing loud music while
declaring out loud they are moving in. Gags such as those had me
sinking down in my seat. Then there are gags that simply don't make any
sense, like when the five men (in another attempt to drum up business)
drive a tanker labelled "TOXIC WASTE" into another neighborhood. How
did they get a tanker? How did they professionally label it "Toxic
Waste"? Why don't the residents of the neighborhood call the
authorities? While most of the remaining humor in the movie isn't as
offensive or badly thought out as those examples, it manages all the
same to be so extremely lame that I can't imagine any kind of audience
finding it funny. The one gag I did find somewhat amusing was a scene
when Max, moving a piece of furniture out of a house, gets it stuck in
a stairwell. I know that may not sound funny, but it made me smile
because it reminded me of a few weeks ago when I was helping a friend
moving to a new home and the problems he had when he and another person
got a piece of furniture stuck in a stairwell. As you can see, I had to
bring something from another source to find something funny in Odd Jobs,
because on its own there is simply nothing there.
(Posted March 1, 2015)
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See also: Door To Door, Fire Sale, Zoo Radio
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